'Assets and Targets' sharpens our very own senses again, this time with a brooding developing suspense track, giving us variations and snippets of Bourne's on the move theme, interrupting and heightening a nervous cat and mouse game. But be sure that you'll get 7 minutes of the best Jason Bourne action music of the entire trilogy, as it underscores also the biggest frenetic fight of the three.Īfter such a tremendous fight comes remembrance, and 'Thinking of Marie' delivers perhaps the most heartfelt music of the trilogy as well, not with the love theme but with a mourning performance of the new theme of the second movie. Delivering you the exciting Bourne on the move theme is one thing, heightening it with another rollicking chase theme is another thing. The end with a silent brief coda of the Jason Bourne theme and a brief Bourne on the move theme shows you John Powell will deliver you his most explosive reply yet.Īnd that reply couldn't get more explosive than 'Tangiers'. Meaning the stakes were high and the anticipation was bourne.Īnd so 'Six Weeks Ago' begins with a bloody nerve wrecking attitude, as it puts the love theme through its most powerful performance yet. After all Supremacy was better than Identity, so Ultimatum had to become better than Supremacy. Director Paul Greengrass knew there was only one way to end it, namely by creating the best of the entire trilogy, delivered in a fantastic nerve wrecking thrill ride experience.Ĭomposer John Powell who made his much maligned The Bourne Identity sound evolve to a smoother appreciated effort in The Bourne Supremacy knew he had to continue on this road as well.

Yet perhaps even important is the fact Jason himself will finally be able to remember who he really is, what made him this way and how he can finally leave the past behind him. With The Bourne Ultimatum, viewers can finally experience the final chapter in the much beloved trilogy of super agent Jason Bourne.

Jason bourne soundtrack